Her novel is about young Ashish, repeating his final year at college, his life with his uncle and aunt around the fictional place 'Saraswati Park' in Bombay and his sexual awakening. It is a quiet book, with seemingly quiet lives in a quiet part of Bombay. As she mentioned herself, the book had been dismissed mainly by many of the Indian critiques because of it's "everyday crab". But don't be mistaken - the inner lives are roaring, often struggling invisibly with their dreams, hopes and losses. When being interviewed by Namita Gokhale, director of the Jaipur Literature Festival, at the Edbookfest she mentioned Samuel Beckett as a major influence on her writing as well as Indian authors like Bibhutibhushan Bandyopadhyaya and the grand dame of Urdu fiction, Ismat Chughtai. And still, she finds it strange to 'represent' a national literature, in her case, Indian, while she lives and writes in England. Her second novel, at which she is currently working, will focus precisely on the subject of the 'definition of self' when having lived in various places. Her protagonist will follow a similar route as she had, living in London, Paris and Bombay. It will be interesting how she will handle this issue and I hope that I will be able to mention her in my blog some more times.
Anjali Joseph (*1978)
Her novel is about young Ashish, repeating his final year at college, his life with his uncle and aunt around the fictional place 'Saraswati Park' in Bombay and his sexual awakening. It is a quiet book, with seemingly quiet lives in a quiet part of Bombay. As she mentioned herself, the book had been dismissed mainly by many of the Indian critiques because of it's "everyday crab". But don't be mistaken - the inner lives are roaring, often struggling invisibly with their dreams, hopes and losses. When being interviewed by Namita Gokhale, director of the Jaipur Literature Festival, at the Edbookfest she mentioned Samuel Beckett as a major influence on her writing as well as Indian authors like Bibhutibhushan Bandyopadhyaya and the grand dame of Urdu fiction, Ismat Chughtai. And still, she finds it strange to 'represent' a national literature, in her case, Indian, while she lives and writes in England. Her second novel, at which she is currently working, will focus precisely on the subject of the 'definition of self' when having lived in various places. Her protagonist will follow a similar route as she had, living in London, Paris and Bombay. It will be interesting how she will handle this issue and I hope that I will be able to mention her in my blog some more times.